the interiority of guilt,
the subjectivity of enunciation.
In contrast, Deleuze and Guattari read Kafka as a proponent of the immanence of desire. The law is no more than a secondary configuration that traps desire into certain formations: bureaucracy, of course, is the main example in Kafka's work, where offices, secretaries, lawyers and bankers present figures of entrapment.
They also see Kafka as directly targeting the Oedipus complex, the triangle of "daddy-mommy-me":
the too-well formed family triangle is really only a conduit for investments of an entirely different sort that the child endlessly discovers underneath his father, inside his mother, in himself. The judges, commissioners, bureaucrats, and so on, are not substitutes for the father; rather, it is the father who is a condensation of all these forces that he submits to and that he tries to get his son to submit to. (K 11-2)
Thus, for Kafka, according to Deleuze and Guattari, the family are a socially derived unit that works by trapping the flow of desire. The interiority of guilt is replaced by the exteriority of subjugation.
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